You'd borrow my brain, be like DUDE CANT HANDLE IT

Apr 17

Looked up my name’s meaning/origin for the first time.

The name Eric is of Scandinavian origin.

The meaning of Eric is “ruler of all”.  

It is also of English origin, where its meaning is “eternal ruler”.

Boom.

1000drawings:

via Wookmark

This is nice.

1000drawings:

via Wookmark

This is nice.

(via mademoisellemeow)

Thumbs up indeed.

Thumbs up indeed.

(Source: dope-tha-kid, via jelbertson)

Apr 09

vlorin:

THIS IS THE STORY OF HOW ANNA KARINA & JEAN-LUC GODARD FIRST “GOT TOGETHER”

Anna Karina: That happened while we were shooting the picture in Geneva. It was a strange love story from the beginning. I could see Jean-Luc was looking at me all the time, and I was looking at him too, all day long.  We were like animals. One night we were at this dinner in Lausanne. My boyfriend, who was a painter, was there too. And suddenly I felt something under the table – it was Jean-Luc’s hand. He gave me a piece of paper and then left to drive back to Geneva. I went into another room to see what he’d written.  It said, “I love you.  Rendezvous at midnight at the Café de la Prez.” And then my boyfriend came into the room and demanded to see the piece of paper, and he took my arm and grabbed it and read it.  He said, “You’re not going.” And I said, “I am.” And he said, “But you can’t do this to me.”  I said, “But I’m in love too, so I’m going.” But he still didn’t believe me. We drove back to Geneva and I started to pack my tiny suitcase.  He said, “Tell me you’re not going.” And I said, “I’ve been in love with him since I saw him the second time. And I can’t do anything about it.” It was like something electric. I walked there, and I remember my painter was running after me crying. I was, like, hypnotized – it never happened again to me in my life.

So I get to the Cafe de la Prez, and Jean-Luc was sitting there reading a paper, but I don’t think he was really reading it. I just stood there in front of him for what seemed like an hour but I guess was not more than thirty seconds. Suddenly he stopped reading and said,” Here you are. Shall we go?” So we went to his hotel. The next morning when I woke up he wasn’t there. I got very worried. I took a shower, and then he came back about an hour later with the dress I wore in the film - the white dress with flowers. And it was my size, perfect. It was like my wedding dress.

We carried on shooting the film, and, of course, my painter left. When the picture was finished, I went back to Paris with Jean-Luc, Michel Subor, who was the main actor, and Laszlo Szabo, who was also in the film, in Jean-Luc’s American car. We were all wearing dark glasses and we got stopped at the border – I guess they thought we were gangsters. When we arrived in Paris, Jean-Luc dropped the other two off and said to me, “Where are you going?”  I said, “I have to stay with you. You’re the only person I have in the world now.” And he said, “Oh my God.”

Extract taken from an interview with Anna Karina conducted by Graham Fuller in Projections 13: Women Film-makers on Film-making, edited by Isabella Weibrecht, John Boorman and Walter Donohue (Faber & Faber, 2004) 

(via Focus Features)

vlorin:

THIS IS THE STORY OF HOW ANNA KARINA & JEAN-LUC GODARD FIRST “GOT TOGETHER”

Anna Karina: That happened while we were shooting the picture in Geneva. It was a strange love story from the beginning. I could see Jean-Luc was looking at me all the time, and I was looking at him too, all day long.  We were like animals. One night we were at this dinner in Lausanne. My boyfriend, who was a painter, was there too. And suddenly I felt something under the table – it was Jean-Luc’s hand. He gave me a piece of paper and then left to drive back to Geneva. I went into another room to see what he’d written.  It said, “I love you.  Rendezvous at midnight at the Café de la Prez.” And then my boyfriend came into the room and demanded to see the piece of paper, and he took my arm and grabbed it and read it.  He said, “You’re not going.” And I said, “I am.” And he said, “But you can’t do this to me.”  I said, “But I’m in love too, so I’m going.” But he still didn’t believe me. We drove back to Geneva and I started to pack my tiny suitcase.  He said, “Tell me you’re not going.” And I said, “I’ve been in love with him since I saw him the second time. And I can’t do anything about it.” It was like something electric. I walked there, and I remember my painter was running after me crying. I was, like, hypnotized – it never happened again to me in my life.

So I get to the Cafe de la Prez, and Jean-Luc was sitting there reading a paper, but I don’t think he was really reading it. I just stood there in front of him for what seemed like an hour but I guess was not more than thirty seconds. Suddenly he stopped reading and said,” Here you are. Shall we go?” So we went to his hotel. The next morning when I woke up he wasn’t there. I got very worried. I took a shower, and then he came back about an hour later with the dress I wore in the film - the white dress with flowers. And it was my size, perfect. It was like my wedding dress.

We carried on shooting the film, and, of course, my painter left. When the picture was finished, I went back to Paris with Jean-Luc, Michel Subor, who was the main actor, and Laszlo Szabo, who was also in the film, in Jean-Luc’s American car. We were all wearing dark glasses and we got stopped at the border – I guess they thought we were gangsters. When we arrived in Paris, Jean-Luc dropped the other two off and said to me, “Where are you going?”  I said, “I have to stay with you. You’re the only person I have in the world now.” And he said, “Oh my God.”

Extract taken from an interview with Anna Karina conducted by Graham Fuller in Projections 13: Women Film-makers on Film-making, edited by Isabella Weibrecht, John Boorman and Walter Donohue (Faber & Faber, 2004) 

(via Focus Features)

(Source: film-dot-com, via kennabot)

alittlescarletstarlet:

estallidos//kelsey rakes

“i didn’t mean it but i sort of did”

alittlescarletstarlet:

estallidos//kelsey rakes

“i didn’t mean it but i sort of did”

(Source: alittlescarletstarlet)

Apr 08

DON’T JUDGE ME OKAY?

DON’T JUDGE ME OKAY?

(Source: loveustinkyface, via lisarae)

asolitarycomfort:

Currently…

Always…. F#A#Infinity

asolitarycomfort:

Currently…

Always…. F#A#Infinity

(via dreamfawn)

pizzzatime:

tumbleweedandporcelaine: 27 kodak moments

LOL
BEST!

pizzzatime:

tumbleweedandporcelaine27 kodak moments

LOL

BEST!

(via howitbegins)

Apr 07

“Beauty has a lot to do with character.” — Kevyn Aucoin (via infinite-paradox)

(Source: caryrandolph, via hazelweatherfield)

enpasant:
It kind of sucks how one minute Bobby Fischer was burdened with winning the match for the United States and then the next he is being sought to be arrested for playing a chess match in Yugoslavia because that is clearly an arrestable offense? Anyways. It’s a shame Fischer did not play more and that he was shunned the way he was.

enpasant:


It kind of sucks how one minute Bobby Fischer was burdened with winning the match for the United States and then the next he is being sought to be arrested for playing a chess match in Yugoslavia because that is clearly an arrestable offense? Anyways. It’s a shame Fischer did not play more and that he was shunned the way he was.

(via ambienne)

thisautumn:

grilled cheese diplomacy with a breadbox full of shoes 

mmhmm.

Mar 19

[video]

Mar 17

[video]

Mar 10

Wait wait don’t tell me!

I’m really excited because I got tickets to see Wait wait don’t tell me in August. Gonna be awesome, I love that show and car talk and the moth and radiolab and NPR I’d have your children.

THIS ALWAYS THIS ALWAYS THIS ALWAYS

THIS ALWAYS THIS ALWAYS THIS ALWAYS

(via w0nderlu5t)